Happy Halloween!

A long-sought-after treasure of Careyana has been found! It’s Timothy’s Halloween commercial for Sambo’s restaurants, first aired on NBC-TV on October 29, 1980. Who is that at the very beginning, appearing from behind a newspaper as Frankenstein’s monster? I think we all know who! Happy Halloween, everybody!

Quote of the Week

In honor of the imminent release of Steve De Jarnatt’s gem of a short film Tarzana (1978) on video (yes, finally! Watch this space!), here is the director recalling his experience of working with Timothy on that film to Paul Rowlands of the Money Into Light film blog.

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How was working with the legendary Timothy Carey?
What can you say about Timothy Carey? There was only one. A brilliant, extremely complicated and odd performer and human being. Some say Tim, who was in Paths of Glory (1957) and The Killing (1956), was the reason Stanley Kubrick moved to England, and I sort of know why. Tim would call me a couple times a week after the film was shot and talk (or perform) for an hour – it could be a freaky sort of thing – and poor Stanley probably couldn’t take it. This is how Tim would roll with someone he trusted. Now I just regret I didn’t record all those rambling Dali-esque monologues of his. When I got my first professional gig in the 80s, directing the Alfred Hitchcock Presents episode “Man from the South” with John Huston and Kim Novak, Tim called up Universal and said he was my manager and was supposed to get 50% of everything I made. (In truth, my entire salary went to joining the DGA on that one). I sort of drifted off from contact with him, but when I was casting for my first feature, Cherry 2000, Tim began to hound me for the part of Six Finger Jake. I did go to bat for him, but the studio and producer nixed it. I was very fortunate to get Ben Johnson, but Tim never forgave me. I had betrayed him. Ah well.
What was the shoot like?
We planned on shooting ten days and after three days, Tim Carey had used up all the film. Well, that’s not true, I did. I sat there agape and watched him riff in these crazy improvs that had nothing to do with the movie. One of the improvs is its own little cult film, Cinema Justice (1977). We had to shut down production and look for more money. 
Steve De Jarnatt, interview with Paul Rowlands, Money Into Light (accessed 10.29.17)
tarzana
Michael C. Gwynne and Tim, Tarzana (1978)

Video of the Week: “Cynthy’s Dream Dress”

It’s Wednesday, and you may or may not remember what that means around here: it’s time for the Video of the Week! This week we bring you another of Timothy’s very early appearances on the small screen. It’s the Death Valley Days episode “Cynthy’s Dream Dress,” first airing on March 3, 1953. Tim’s very small part as a bartender begins at about the 10:35 mark. Don’t blink!

The episode also stars Virginia Lee (D.O.A. [1950]); Brad Johnson (Bedtime for Bonzo [1951]); and Helen Brown (Shane [1953]). Also appearing are two of Ed Wood‘s favorite character players, Lyle Talbot and Kenne Duncan. Enjoy!

Video of the Week: “Kidnap”

Well look what I found on Dailymotion! The full length CHiPs episode “Kidnap,” first broadcast on January 26, 1980. Most definitely one of Timothy’s most eccentric performances.

http://dai.ly/x3ya4ah

Tim’s cohort in crime here is Warren Berlinger, another venerable character actor born in Brooklyn (with the same birthday as me!). He’s been all over the big and small screens since the late 1950s. He is also Milton Berle‘s nephew!

Video of the Week: The Eyes of Timothy Carey

This week’s video accompanies the wonderful article by filmmaker Andre Perkowski (and was also created by him) that provided our Quote of the Week last Sunday. It comprises scenes from Timothy’s last television appearance in the Airwolf episode “Tracks” (3.22.1986) overlaid with the audio from Morgan Morgan’s near-soliloquy from Minnie and Moskowitz (1971). The result is surrealism at its finest. Enjoy!

Quote of the Week

Timothy Carey. The face. The jowls. The unshaven stubble. Those teeth. How he stood. How he walked… and fuckin’ hell, how the man talked! Oozing his way across screens, TV, and drive-in… big movies, tiny oddities, TV appearances.

Was Ernest Borgnine gunning him down in “Airwolf” once? I’m pretty sure that happened. He gave off the impression of smelling like an egg and pepper sandwich, or even a chain-smoking gravedigger in the words of one onlooker to his crazed career.

His appearances in Kubrick films always fascinated me as this was clearly a character who played by his own highly idiosyncratic, possibly hypocritical rules — who operated from a revised script that existed only in his head, occupying a parallel film universe to characters he’d share the screen with.

Drawing attention to himself with little twitches and odd ticks — you couldn’t help but stare at him. He stole every scene he was in just by breathing heavily… Then came his work with Cassavetes, another genuine celluloid crazy who did things his way. Obviously they got on great for a while and sweated through several films together.

I’d heard about The World’s Greatest Sinner for years without getting hold of a copy. In the interim, his other acting roles and interview in Psychotronic were fetishized to a terrifying degree… Then: a breakthrough. My chance finally came when his son Romeo presented a print at the Egyptian Theater. I was inexplicably sitting behind Poison Ivy and Lux Interior of The Cramps when the film began to go through the projector and without a doubt it changed my life. Or were they there a little later at a Maria Montez night?

These life-changing, namedropping experiences happen thick and fast in retrospect and begin to stick to each other like filthy magazine fragments in the gutter.

The World's Greatest Sinner

Happy New Year!

All of us here at The Timothy Carey Experience (me, the hubby, and Cirrus the cat) wish you all the best for 2016! Thank you so much for your enthusiasm for the blog; it means the world to us. Here’s to another fabulous year! Have a wonderful celebration tonight; stay safe and, like Loxie here, party like it’s 1929!

Ain't We Got Fun - 1959

Pic of the Day: “Ambush” revisited

We have a theme this week, and it’s “Timothy in color.” So let’s get the ball rolling with “Ambush,” the episode of Kung Fu that was first aired on April 4, 1975. Grumpy outlaw Bix Courtney is, well, grumpy.

Kung Fu

This episode was one of the earliest instances in which Tim is billed as Timothy Agoglia Carey. Agoglia was his mother’s maiden name. Her father, Rocco M. Agoglia, was proprietor of the Bank of Agoglia in Brooklyn. He is buried there in a beautiful mausoleum in Green-Wood Cemetery.