Quote of the Week

(WOW it’s been over a year since I’ve posted! I’m so sorry. Trying to get my life back on track; I promise to post more often!)

Standing at 6’4 with a tornado of jet black hair, piercing blue eyes and more swagger and verve than every founding father and mother of rock & roll combined, Carey started to make his mark in cinema in the 1950’s, with turns in such classics like Elia Kazan‘s East of Eden (1955) and in Stanley Kubrick‘s twin masterpieces, The Killing (1956) and Paths of Glory (1957). Standing out in the Kazan film despite being both dubbed and on screen for a hot second, Carey blew the lid OFF with the latter two. In particular, his turn as the doomed Private Maurice Ferol in Paths of Glory is unshakable once you’ve seen it. Carey’s ability to not only innately steal every scene he graced but also bring the entire rainbow of the human condition to any film made him a presence to look out for.

bizarro

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