Of course, the main reason to see THE WORLD’S GREATEST SINNER is to observe Timothy Carey with the brakes removed. He’s mesmerizing in every scene but subtlety is not his specialty. Some critics have accused him of being a total ham and his scene chewing has an excessive, bigger-than-life quality. But just try to tear your eyes away from the screen.
Watch him shake like a bowl of radioactive jello as his Elvis-like alter ego dressed in gold lamé (There’s a little James Brown thrown in as well – “Please! Please! Please! Please! Please! Take My Hand!” – and maybe even some Tiny Tim). See him transform before your eyes into a hell and brimstone evangelist or play it sweet and low-key as an insurance salesman who’s just “seen the light.”
Carey has always had his own “style” of acting and when you start to consider all of the parts he’s played, he stands out in every movie, even in films where a director like Stanley Kubrick tightly controls every detail right down to an actor’s performance. Among some of my favorite Carey performances are his scary whorehouse bouncer in East of Eden, the shell-shocked, emotionally damaged soldier facing execution in Paths of Glory, the creepy gangster assigned to watch over hostage Phyllis Kirk in Andre de Toth’s Crime Wave, one of the hell-raising motorcycle gang members in The Wild One and his racetrack marksman in The Killing. Now you can add God Hilliard in THE WORLD’S GREATEST SINNER to your list of favorite Carey roles.