Video of the Week: “The Outfit” revisited

Here’s another one from the archives. It’s Timothy’s pivotal scene from John Flynn‘s The Outfit (1973), with a crackling screenplay by Flynn from Donald Westlake‘s novel. Tim’s ill-tempered gangster Jake Menner learns a hard lesson from bent-on-vengeance Earl Macklin (Robert Duvall).

One of Tim’s best performances in a stellar tribute to film noir. Don’t miss it!

Video of the Week: “The Outfit” trailer

Today, on what would have been Karen Black‘s 76th birthday, we present for this week’s video another one from the archives. It’s the trailer for John Flynn‘s gritty crime drama The Outfit (1973). It features Ms. Black and Timothy prominently.

You’ve heard me say it before, but I’ll say it again – this one is essential viewing. Enjoy!

Video of the Week: “The Outfit”

Our video for this week is a nifty montage of scenes from John Flynn‘s gritty homage to film noir, The Outfit (1973). It showcases the film’s superb score by Jerry Fielding.

In addition to Timothy, Robert Duvall, Joe Don Baker, Karen Black, Joanna Cassidy, and Robert Ryan are all here. This is a great film, not to be missed. You can catch it this Friday January 30 on the El Rey network. Enjoy!

Pic of the Day: “The Outfit” revisited

We revisited this film quite recently, but as today is the 115th birthday anniversary of the great Robert Ryan, I couldn’t help but showcase it once again. Mobster Mailer (Ryan) is unimpressed by the predicament his freshly injured torpedo Jake Menner has gotten himself into.

The Outfit

We have sung Ryan’s praises here before, so please go take a look at previous posts. The Outfit (1973) was one of his final films. What a gift to the film community the man was.

Quote of the Week

A combination of hepcat messiah, hulking loner and life-long loose cannon, the great character actor Timothy Carey (1929 – 1994) cut a fearsome, unforgettable figure on-screen, whether it was manhandling James Dean in EAST OF EDEN, throwing beer in Brando’s face in THE WILD ONE, or moaning pitifully on his way to execution in PATHS OF GLORY. Carey was cast most often as a menacing gunman/enforcer, a role he played with relish in crime classics like THE KILLING, CRIME WAVE and THE OUTFIT. His off-screen reputation was just as notorious – Carey once got caught scaling the fence at 20th Century Fox in full armor to audition for PRINCE VALIANT, and he faked his own kidnapping in Germany during shooting on PATHS OF GLORY.

In reality, Carey was a restless, completely dedicated performer who counted John Cassavetes among his closest friends, and acted each role “like it’s the last film I’m gonna make, and I want it to be the best” (Carey.) His self-made 1962 masterpiece THE WORLD’S GREATEST SINNER – in which an ordinary man declares himself “God” in a SoCal suburb – fully deserves its reputation as one of the most outrageous underground movies ever made.

American Cinematheque, “The World’s Greatest Sinner! A Tribute to TIMOTHY CAREY”, November 4-5, 2000

Keep Calm and Watch TC!

 

Pic of the Day: “Revolt in the Big House” promotional still

To celebrate the long-awaited official commercial DVD release of Revolt in the Big House (1958), our pic today is another promotional still from that very film. Lou Gannon (Gene Evans) and Bugsy Kyle confer during said revolt.

Revolt in the Big House

The Warner Archive Collection is a great source for several of Timothy’s films on DVD, including Waterhole #3 (1967), Chain of Evidence (1957), The Outfit (1973), Rumble on the Docks (1956), Convicts 4 (1962), and now this one. Way to go, WAC!

Pic of the Day: “The Outfit” revisited

Today’s pic is another one from John Flynn‘s The Outfit (1973). Earl Macklin (Robert Duvall) is about to put the hurt big time on mean thug Jake Menner.

The Outfit

Duvall has been one of our most gifted actors since the early 1960s, when he began appearing in series television, anthologies and Westerns. He hit the big time with his unforgettable turn as Boo Radley in Robert Mulligan‘s To Kill a Mockingbird (1962). Fifty-two years, one Best Actor Oscar (1983’s Tender Mercies), numerous other awards and nominations, and many classic films and performances later, he’s still going strong.