Quote of the Week

This is from the extras (Film Noir Web, disc 2) on the Reservoir Dogs (1992) tenth anniversary special edition DVD 2-disc set. The Kazan and Brando stories are apocryphal; Timothy always denied they took place. Also, Tim passed away not on his own birthday (March 11), but on the birthday of one of his heroes, Salvador Dali.

TIMOTHY (William) CAREY (1929-1994)

A lanky, saturnine character actor most famous for his work with Stanley Kubrick in PATHS OF GLORY… and most infamous for being the only man director Elia Kazan ever physically attacked on-set. Marlon Brando stabbed Carey with a pen on the set of ONE-EYED JACKS. John Cassavetes, who cast Carey in THE KILLING OF A CHINESE BOOKIE, declared that the actor had “the brilliance of Eisenstein” – after Carey put Cassavetes in a padded suit and turned an attack dog loose on him, during the actor/director’s first visit to his home.

Carey’s six-foot-five stature and laconic demeanor served him well in a number of tough-guy and character bits, and he later become a television regular on such shows as MANNIX, BARETTA, ELLERY QUEEN and CHiPS. He was apprehended scaling the fence at 20th Century-Fox in full armor, just to audition for PRINCE VALIANT, and later faked his own kidnapping while in Germany, during the shooting of PATHS OF GLORY.

His magnum opus was THE WORLD’S GREATEST SINNER (1962) – made nearly single-handedly over three years and released in 1962. Carey wrote the story of an insurance salesman who goes into politics and develops a God complex, then directed and starred. It featured a score by iconoclastic genius Frank Zappa. A second feature, TWEET’S LADIES OF PASADENA, remained in production from 1972 onward (Carey turned down a role in THE GODFATHER to work on it), but was never completed.

Carey also appeared in Kubrick’s THE KILLING, EAST OF EDEN, CRIME WAVE, and THE OUTFIT.

He died of a stroke on his own birthday, May 11, 1994.

Cassavetes directing Tim in The Killing of a Chinese Bookie (1976)

Pic of the Day: “Bloodhounds of Broadway” revisited

Today’s pic is a rather roundabout way of celebrating the birthday anniversary of Timothy’s good friend, the fabulous (and notorious) Lawrence Tierney. Unfortunately, they never made any films together. However, Tim did appear in Bloodhounds of Broadway (1952), where, as we can see here, he has an unfortunate encounter with the fist of Scott Brady, Tierney’s brother. How’s that for several degrees of separation?

[Quentin] Tarantino brought me in to read [for Reservoir Dogs],” Timothy told Grover Lewis in 1992. “He’d done a terrific script with my name on the top – inspiration by Timothy Carey. Harvey Keitel didn’t want me on the show. He was afraid – I could tell when I walked in. He had the right to say yea or nay to any actor. Larry Tierney got the part. Larry’s a good friend of mine, and he called me up later and kind of apologized.”

Quote of the Week

“It’s amazing how people get so afraid and weak. I was up for a big part in Bonnie and Clyde, but Arthur Penn took one look at me and almost fainted in my arms. He’d heard that I’d gotten into a punch-out with Elia Kazan on East of Eden. Which wasn’t true. But because of the garbled story and Penn’s weakness, I didn’t get the part. The same with Stephen Frears years later on The Grifters – weakness. The same with Harvey Keitel’s weakness on Reservoir Dogs. Tarantino brought me in to read. He’d done a terrific script with my name on the top – inspiration by Timothy Carey. Harvey Keitel didn’t want me on the show. He was afraid – I could tell when I walked in. He had the right to say yea or nay to any actor. Larry Tierney got the part. Larry’s a good friend of mine, and he called me up later and kind of apologized.”

– “Cracked Actor,” Film Comment Jan/Feb 2004; interview conducted in 1992 by Grover Lewis