Quote of the Week

Timothy Agoglia Carey was born Timothy William Carey in 1924 [sic; actually 1929]. And it was all uphill from there. A hulk at 6-foot-4, the man was born to play every weird, menacing background figure any movie ever needed. Often, he was called upon to do just that. Carey’s anarchistic and sometimes violent sense of whimsy wouldn’t allow him to just stand there behind the big names and glower. Too much kinetic energy bound up; it got released. […]

A polarizing figure both onscreen and off, Carey could be intimidating by just saying “Hello.” His reputation for unpredictability kept him from being cast in big movies (Spartacus, The Grifters, Reservoir DogsTarantino dedicated the script to him) and got him into trouble with others – he and Elia Kazan almost came to blows on East of Eden (the actual fight is apocryphal); Richard Widmark and Karl Malden both did their own improvising during fight scenes with Carey in The Last Wagon and One-Eyed Jacks respectively, making sure that punches and kicks were not pulled. Also on One-Eyed Jacks, Brando got his revenge for the beer gag [in The Wild One] by stabbing Carey with a pen.

But those who were friends with him, good friends, were friends until the end. Longtime buddy John Cassavetes, who cast Carey in Minnie and Moskowitz and The Killing of a Chinese Bookie, considered him to be a genius on a par with Sergei Eisenstein. Carey’s loyalty to Cassavetes led him to turn down the role of Luca Brazzi in The Godfather. […]

In Head, he played Lord High ‘n’ Low, the representation of everything evil in marketing, who tried to get the Monkees to sell their sweat and nail clippings. In Fast-Walking, he played the towering lunatic inmate Bullet. And in Beach Blanket Bingo, he played South Dakota Slim, who straps Linda Evans to a buzzsaw. Maybe you don’t know the name (even I have to confess that for years I confused him with both Timothy Leary and Professor Irwin Corey), but you know who he is. The face’ll get ya every time.

Mike Watt, “The World’s Greatest Sinner (1962)”, Fervid Filmmaking: 66 Cult Pictures of Vision, Verve and No Self-Restraint (McFarland and Company, 2013; Kindle Edition)

Fast-Walking

 

Pic of the Day: “The Outfit” revisited

Today we take another look at John Flynn‘s The Outfit (1973). Ill-tempered thug Jake Menner is not too happy about Earl Macklin (Robert Duvall) interrupting his card game. I am not 100% certain who the actor sitting next to Timothy is.

Many of Tim’s previous co-stars appear in this great film, including Robert Ryan, Elisha Cook Jr., Marie Windsor, Tom Reese, Roland LaStarza, Emile Meyer, and Roy Jenson. Flynn also directed the cult favorite Rolling Thunder (1977), the inspiration for Quentin Tarantino’s short-lived film distribution company.

Pic of the Day: “Bloodhounds of Broadway” revisited

Today’s pic is a rather roundabout way of celebrating the birthday anniversary of Timothy’s good friend, the fabulous (and notorious) Lawrence Tierney. Unfortunately, they never made any films together. However, Tim did appear in Bloodhounds of Broadway (1952), where, as we can see here, he has an unfortunate encounter with the fist of Scott Brady, Tierney’s brother. How’s that for several degrees of separation?

[Quentin] Tarantino brought me in to read [for Reservoir Dogs],” Timothy told Grover Lewis in 1992. “He’d done a terrific script with my name on the top – inspiration by Timothy Carey. Harvey Keitel didn’t want me on the show. He was afraid – I could tell when I walked in. He had the right to say yea or nay to any actor. Larry Tierney got the part. Larry’s a good friend of mine, and he called me up later and kind of apologized.”

Quote of the Week

“It’s amazing how people get so afraid and weak. I was up for a big part in Bonnie and Clyde, but Arthur Penn took one look at me and almost fainted in my arms. He’d heard that I’d gotten into a punch-out with Elia Kazan on East of Eden. Which wasn’t true. But because of the garbled story and Penn’s weakness, I didn’t get the part. The same with Stephen Frears years later on The Grifters – weakness. The same with Harvey Keitel’s weakness on Reservoir Dogs. Tarantino brought me in to read. He’d done a terrific script with my name on the top – inspiration by Timothy Carey. Harvey Keitel didn’t want me on the show. He was afraid – I could tell when I walked in. He had the right to say yea or nay to any actor. Larry Tierney got the part. Larry’s a good friend of mine, and he called me up later and kind of apologized.”

– “Cracked Actor,” Film Comment Jan/Feb 2004; interview conducted in 1992 by Grover Lewis