The Insect Trainer’s main character, Guasti Q. Guasti, is convicted of murder after farting so powerfully that a woman falls from her chair, hits the floor and dies. The play is characteristic theatre of the absurd, full of non-sequiturs and jarring stage action. Carey was hard at work rehearsing the play before his passing and created a philosophical tract about the virtues of flatulence. Carey’s son Romeo is planning a revival of The Insect Trainer, due to premiere in Los Angeles this spring. Romeo hopes to take the production on the road.
For all of Timothy Carey’s antics, he remained a devoted family man with a wife (only one) and six kids and endless dogs, cats, chickens, and horses. He lived out his life in the quiet suburb of El Monte, preferring the company of his animals to the unearthly world of Hollywood society. As he admits, he “made lots of fast enemies” during his career, but readily forgave his antagonists, as they were often just not ready to appreciate his uniqueness.
James B. Harris, the crusty producer/director who had many a run-in with Carey over the years acknowledges, “I know he’s so bizarre and I don’t think it’s gratuitous. I think there is enough humanity in this man. I think he could make a scene better than anyone else.” This humanity described by Harris encompassed a sympathy for the underdog: Carey was a supporter of Palestinian and Native American rights. The romantic equation, the ability to triumph despite the odds, played a great part in his art and his outlook.
– Alex de Laszlo, “The Wonderful Horrible Life of Timothy Carey”, Uno Mas magazine, 1996