Quote of the Week

Modern hipsters didn’t invent the cult actor. Oh, we might all feel really cool raving about icons like Christopher Walken or newcomers like Michael Shannon. There’s still a long history of weirdo artists infiltrating our movie theaters and living rooms. Just consider the epic strangeness of Timothy Carey. He maintained a perfectly normal career as a character actor right through the 1980s. In fact, Carey would’ve managed one more great role if he’d passed Quentin Tarantino’s audition to play the crime boss in 1992’s Reservoir Dogs. Tarantino cast veteran oddball actor Lawrence Tierney instead. The director dedicated Reservoir Dogs to a list of idols that included Carey, though. That was nice–especially since Carey would pass away in 1994.

But why would Tarantino dedicate his first feature to a guy who’d shown up in mainstream TV shows like Starsky & Hutch, Charlie’s Angels, and CHiPs? That’s because Carey was far more than a character actor. He was a beatnik visionary and a true wild man. The young actor first made a name for himself by stealing a scene from Marlon Brando in the pioneering biker epic The Wild One. Carey didn’t even get billing, but the hulking actor with the basso voice was soon being used as a heavy by all kinds of directors. He gave one of his most compelling performances as a crazed Cajun in 1957’s Bayou, where he contributed to a sleazy atmosphere that kept the movie playing the drive-in circuit well into the ’70s.

Stanley Kubrick cast Carey in memorable roles for both The Killing and Paths of Glory, and a lot of other directors–including John Cassavetes–loved Carey’s knack for crazed improvisation. That was the kind of Hollywood connection that got Carey playing parts in three episodes of Columbo. Other directors, however, couldn’t tolerate Carey’s maniacal Method acting.

Carey did a lot to sabotage his own career, too. He turned down roles in The Godfather and The Godfather Part II–and walked off the set of Francis Ford Coppola’s The Conversation. That’s three less classics in Carey’s weird filmography, but he found time to appear in Chesty Anderson, U.S. Navy and the Joe Don Baker epic Speedtrap. To be fair, Chesty Anderson gave Carey the freedom to let loose with one of his more amazing performances.

Carey also wrote and directed himself to an amazing role in 1962’s The World’s Greatest Sinner–which was pretty much forgotten for most of Carey’s career. Originally, the film’s legend was kept alive by some musical contributions from Frank Zappa. Then Sinner began to build a bigger reputation as Carey’s own careening genius built his own cult. It’s an amazing film, and was recently restored and is now available to the masses. There’s no other movie like it.

Speedtrap

Video of the Week: “The Outfit”

Our video for this week is a nifty montage of scenes from John Flynn‘s gritty homage to film noir, The Outfit (1973). It showcases the film’s superb score by Jerry Fielding.

In addition to Timothy, Robert Duvall, Joe Don Baker, Karen Black, Joanna Cassidy, and Robert Ryan are all here. This is a great film, not to be missed. You can catch it this Friday January 30 on the El Rey network. Enjoy!

Pic of the Day: “Speedtrap” revisited

For mindless summer drive-in fare, you could hardly do better than Earl Bellamy‘s Speedtrap (1977). Here Larry Loomis, Italian gangster (??), has been sucker-punched by private eye Pete Novick (Joe Don Baker) and is none too happy about it.

Speedtrap

Baker, from Groesbeck, Texas, has been a solid presence in films and on television for nearly fifty years. He hit the big time with Phil Karlson‘s Walking Tall (1973). Rough-and-tumble good guys like cops, cowboys and g-men are his specialty. He previously appeared with Timothy in John Flynn‘s The Outfit (1973).

Video of the Week: “Speedtrap”

This week’s video showcases Timothy’s best scene from Earl “No Strain” Bellamy‘s Speedtrap (1977). He first appears, quite memorably, at about the 4:26 mark.

Also featuring Joe Don Baker, Robert Loggia, Tyne Daly, Lana Wood, and Richard Jaeckel. Tim, Baker and Jaeckel were also in John Flynn‘s The Outfit (1973).

Pic of the Day: “Speedtrap” revisited

It’s time for another look at Speedtrap (1977), the drive-in classic directed by Earl Bellamy. Timothy is stellar as Larry Loomis, obliging torpedo to drug kingpin Spillano (Robert Loggia). Here they are grilling private eye Pete Novick (Joe Don Baker), who is quickly realizing that he is in way over his head.

Speedtrap

This would make an absolutely perfect double bill with Mitchell (1975), also starring Baker. It’s practically a sequel. Go get your copy today at j4hi.com!

Pic of the Day: “Speedtrap” revisited

Today’s pic is a nice close-up of Tim from Speedtrap (1977), directed by Earl Bellamy. He is sizing up Joe Don Baker right before attempting to land a punch.

Bellamy also directed Timothy in the Starsky and Hutch “super pancakes” episode (“The Velvet Jungle”)  that same year. He was another hard-working television director who helmed over 1,600 episodes over 30 years.

Video of the Week: “Speedtrap”

This week’s video is a segment of Earl Bellamy‘s Speedtrap (1977), the goofy drive-in smash-’em-up starring Joe Don Baker. This section includes the classic moment when Timothy suddenly appears in the back seat of Joe Don’s car, trains a gun on him and intones “Good eeeeevening.” It’s priceless. The famous “library” scene follows shortly thereafter.

Bellamy was a hard-working television director who also directed Tim that same year in the Starsky and Hutch episode “The Velvet Jungle.”