On the Occasion of Sterling Hayden’s 100th Birthday Anniversary

I usually don’t post on Saturdays, but as the legendary Sterling Hayden was born 100 years ago today, I couldn’t not post. Timothy appeared in three films with him: Hellgate (1952), Crime Wave (1954) and The Killing (1956), getting a chance to really interact with him only in the latter film. It’s too bad there weren’t more, but what we have is choice. Hayden was a true iconoclast, the very definition of “rugged individualism.” They just don’t make ’em like that anymore. Sir, we salute you.

Hellgate

Hellgate (1952), with Joan Leslie and James Anderson

Crime Wave

Crime Wave (1954), with Phyllis Kirk, Gene Nelson and Mack Chandler

The Killing (1956)

The Killing (1956), directed by Stanley Kubrick

Pic of the Day: “Crime Wave” revisited

To celebrate the birthday anniversary of the great Ted de Corsia, born in Brooklyn this date in 1903, we take another look at Crime Wave (1954), directed by Andre’ de Toth. This is a publicity still for the film under its original title, The City is Dark.

aka Crime Wave

Also appearing here are (left to right) Phyllis Kirk, Gene Nelson, Jim Hayward, and the familiar-looking fellow in the white t-shirt is Charles Buchinsky. You probably know him better under the name he began using shortly afterwards – Charles Bronson.

Pic of the Day: “Crime Wave” lobby card

Already anticipating the screenings of Crime Wave (1954) and The Killing (1956) next month as Turner Classic Movies celebrates its Star of the Month for May, Sterling Hayden, today’s pic takes another look at the former film. It’s one of the best examples of film noir ever, directed by Andre’ De Toth.

Crime Wave lobby card

This intensely red-tinted lobby card features Hayden and Mack Chandler rounding up Timothy and Gene Nelson, as Phyllis Kirk looks on. I encourage you not to miss this film if you haven’t seen it. It’s a winner in every respect.

Pic of the Day: “The City is Dark” publicity still

Today’s pic is another publicity still for Andre’ De Toth‘s Crime Wave (1954) under its original (and, I believe, more fitting) title, The City is Dark. Timothy and his gang – Jim Hayward, Ted de Corsia, and Charles Bronson – menace Phyllis Kirk and Gene Nelson.

aka Crime Wave

As the 16th annual Noir City Los Angeles Film Noir Festival prepares to launch tomorrow, I can’t think of a better film to get yourself psyched up for it. “How come the smart guys are inside and the dopes outside?”

Pics of the Day: “Crime Wave”

Every now and then I peruse Tumblr for pics tagged with Timothy’s name, especially animated .gifs. That’s where I found these (!), and today I found a few more. If I knew how to make these things I would, but for now I’ll leave it to the professionals. These were posted by an individual known only as phb256, and they’re from Andre’ De Toth‘s Crime Wave (1954).

Crime Wave

Crime Wave

Crime Wave

Non-animated are Charles Bronson, Ted de Corsia, Gene Nelson and Jim Hayward. Many thanks to whoever was clever enough to make these. I salute you! You may also want to check out my own Tumblr, run by my burlesque persona Loxie Arcane (guess where that name came from?).

Quote of the Week

That’s particularly true for his film noir roles. Few debuts in the genre have been more striking or unnerving than Carey’s brief interludes in Andre’ de Toth‘s atmospheric Crime Wave (1954). In the uncredited role of pervert-punk Johnny Haslett, who lives in the seedy Chinatown hideout used by crooks Ted de Corsia and Charles Bronson, Carey’s first appearance (more than 50 minutes into the film) is like a bucket of ice water hitting your face at high speed.

De Toth aims the camera directly at Carey, who flips on his psychotic high beams and blows the scene away. He sustains a deranged grin while uttering dialogue through gritted teeth, then goes into a series of goofy facial contortions, all the while nervously fiddling with a deck of cards. It’s warped, it’s wild – but it’s also wonderful.

It gets better, too, when Carey moves into the background in the next scene at the hideout. With de Corsia, Bronson, and Gene Nelson in the foreground discussing their plans, Carey draws attention to himself sitting on the floor nearby. He’s mugging for all he’s worth, puffing furiously on a cigarette and blowing smoke rings through his teeth. Then, when Nelson frets that he must leave his girlfriend (Phyllis Kirk) with this cretin while they all go out on a caper, Carey slurs a deranged, menacing one-liner while still hunched on the floor, smoking away: “I’ll give her your love, Steve!” Priceless.

Carl Steward, “Timothy Carey: Noir’s Wildest Card,” Noir City Annual #2: The Best of the 2009 Noir City Sentinel (Film Noir Foundation, 2010)

Crime Wave

Pic of the Day: “Crime Wave” revisited

Our pic for today revisits Crime Wave (1954), aka The City is Dark, filmed in 1952 by Andre’ De Toth but released in 1954. Timothy and Gene Nelson are being hauled away by Sterling Hayden and Mack Chandler, as Phyllis Kirk looks on. Tim has just taken an epic tumble down a flight of stairs, apparently with no stunt man.

Crime Wave

I can’t emphasize enough what a great film this is. If you haven’t seen it yet, shame on you.