More SINNER ephemera AND a NYC screening!

Today is definitely Sinner day here at the TCE! First up is a submission from friend of the blog Matt Meisenhelter of Pittsburgh, PA. Says Matt, “While going through some long boxed up correspondence, I came across the attached poster. It dates from, I’m guessing, 1991 or 92 and promotes a showing of The World’s Greatest Sinner. A college friend who’d migrated to LA sent it to me with a description of sorts of the film and experience. He described a wizened Carey introducing the film in his gold lame suit and how he was seen afterward in the lobby, ready to meet and talk with the moviegoers.” This sounds very much like the screening of the film that Grover Lewis described in his article of and interview with Timothy in Film Comment. Matt also tells me the poster was originally a vibrant pink but had faded over the years. I have taken the liberty of restoring it to its original pinkness. Many thanks, Matt!

SINNER screening flyer, 1992Next up, I am excited to tell you about an upcoming screening of Sinner in New York City next month! Please feel free to share this announcement:

Anthology Film Archives Screens The World’s Greatest Sinner!!! New York City

32 East 2nd Street, New York NY 10003

Hosted By Walter Ocner

The screenings will be Sat, July 18 at 9:00pm and Thurs, July 23 at 7:00pm!
Limited Seating

MONUMENTALLY RARE 35MM SCREENING! NEVER RELEASED ON VIDEO!

Hollywood maverick Timothy Carey was called plenty of things in his day: Genius…Rebel…Nut. Sometimes all three.

He was cast in major features by courageous directors like Stanley Kubrick and John Cassavetes, often playing a towering heavy or a leering criminal overlord. He brought a wildly unique fire to every role, and intensified it beyond comprehension for his own feature, which he wrote, directed, produced and starred in: THE WORLD’S GREATEST SINNER.

In it, Carey plays insurance salesman Clarence Hilliard, who one day decides to change his name to “God” and build a powerful religion, using sex and rock n’ roll as his recruiting tools. It’s a truly legendary masterwork of outsider filmmaking that profoundly shocked audiences wherever Carey screened it (often renting out the theater and even running the projector himself).

Half a century later, the largely unseen film has become one of cinema’s great curiosities, impossible to find and entirely deserving of its infamy. You’ve never experienced anything like it, and you never will again.

Grab the snake, sip the blood, and sacrifice yourself to the inhuman artistry of Timothy Carey’s visionary blue-collar epic. After all, you don’t want to anger God, do you?

Sinner in crayon; artist unknownA delightful drawing provided by Walter Ocner. Artist unknown (Isaac something??)

Happy Father’s Day!

Wishing all you dads out there a wonderful Father’s Day! Among the many virtues of this day is the opportunity I get to post this great pic once again. It’s Timothy, his wife Doris and their six young’uns, from the early 1970s. It accompanied the article “Timothy Carey: The World’s Greatest Director!” by Harvey F. Chartrand in Filmfax Plus magazine #102 (April/June 2004).

From the Filmfax Plus #102 articleHappy day, dads, fathers and father figures!

Pic of the Day: “Crime Wave” lobby card

Already anticipating the screenings of Crime Wave (1954) and The Killing (1956) next month as Turner Classic Movies celebrates its Star of the Month for May, Sterling Hayden, today’s pic takes another look at the former film. It’s one of the best examples of film noir ever, directed by Andre’ De Toth.

Crime Wave lobby card

This intensely red-tinted lobby card features Hayden and Mack Chandler rounding up Timothy and Gene Nelson, as Phyllis Kirk looks on. I encourage you not to miss this film if you haven’t seen it. It’s a winner in every respect.

Pics of the Day: More SINNER-related ephemera

Today, my last post before the blog goes on a short hiatus, I present two pics pertaining to Timothy’s magnum opus, The World’s Greatest Sinner (1962).

First up is an amazing piece of memorabilia that comes our way via Facebook friends (and super human beings) Bill Ackerman and Heather Drain. It’s a letter from Timothy to Nikita Khrushchev, the Soviet Premiere at the time of Sinner‘s release. It appeared in the May 1, 1962 issue of Variety. The print is pretty small, so here is how it reads:

Mr. Nikita Khrushchev 

Kremlin, Moscow, U.S.S.R.

Dear Mr. Khrushchev:

Allow me to introduce myself: My name is Timothy Carey. I am a motion picture producer-distributor.

I am writing for one reason. It has been said by many that you are the world’s greatest sinner. I made a film by the same name, wherein the leading character is quite similar to you, a man who wants to be God. I would like to send you a print for your viewing because it can be very enlightening. The subject matter deals with a great sinner who finally repents.

I’ve tried to show that there is some good in all human beings. I sincerely believe that there is a potent moral message in the “Sinner” and this movie can help the world, especially people who are out to conquer it. “The World’s Greatest Sinner” realized that a man doesn’t profit when he suffers the loss of his soul.

Sincerely yours,

 Timothy Carey

Letter to Nikita

I wonder if Mr. Khrushchev ever received his copy?

Secondly is a lovely photograph of Romeo Carey with Betty Rowland, taken when he interviewed Betty at her home in 2012. As previously reported, Betty, who portrayed long-suffering Edna Hilliard in Sinner, passed away recently. You can visit her online memorial here.

Betty Rowland with Romeo Carey, 2012

And that is all from me until March 31! Byron and I are headed down to Los Angeles for the Turner Classic Movies Classic Film Festival! Trust me, if anything Timothy-related should happen there, I’ll be your girl reporter on-the-spot!

Pic of the Day: “Alaska Seas” revisited

I apologize for not posting last week! Not sure what happened. Guess I needed a little break. In any case, March is coming in like a lion with another look at Alaska Seas (1954), the maritime adventure directed by Jerry Hopper. Boat repairman Wycoff ponders how to get the $920.60 owed him by rogue fisherman Matt Kelly (Robert Ryan).

Alaska Seas

I was inspired to make Seas our Pic of the Day after coming across this epically hilarious promotional still from the film on eBay. One is inclined to wonder why Timothy was not included in this fabulous shot of Brian Keith, Jan Sterling and Ryan hamming it up for the camera.

Alaska Seas promo still

Happy Martin Luther King Day!

To celebrate the birthday anniversary of Dr. Martin Luther King, Jr., and his legacy to the African-American community, I’m re-posting this entry from October of 2013. I still can’t get over these pictures. They are such a treasure.

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I am so. excited. to be bringing you today’s pics. Thanks to my new Facebook pal Juan Ibáñez Mateos, from beautiful Barcelona, Spain, we are presenting some candid photographs of young Timothy that I can pretty much guarantee you have never seen before. They were taken at an unknown venue by an unknown photographer sometime in the mid-1950s. It looks like there is some kind of song-and-dance talent competition going on. The Johnny Otis Band is going to town in the background. And Mr. Timothy Carey is owning the room.

Tim and the Johnny Otis Band, mid-50s

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The fellow who gave these pics to Juan was apparently unaware that Tim was even in them. They have a marvelous LIFE magazine quality. In the James Dean article from Movie Stars Parade magazine, Tim tells Dean that he spent a lot of time at the 5-4 Ballroom in Los Angeles. I’m willing to bet that these pics were taken there. And, of course, we’ve all got to wonder – did Tim win the competition? Eternal thanks to the unknown photographer, the friend who passed these on to Juan, and Juan himself. I am just blown away by this unexpected glimpse into the life and times of young Tim. I’ve been walking around with a goofy grin on my face since yesterday. It’s showing no signs of going away anytime soon. I hope you love these pics as much as I do.

Pics of the Day: Timothy by Jack Davis

It was announced today that veteran Mad Magazine artist Jack Davis will be retiring at the young-spring-chicken age of 90. To celebrate his amazing career, we thought it appropriate to re-post this entry from 2012. Thank you Jack, and take it easy – you’ve earned it!

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Today’s pics are artwork from promotional materials for Waterhole #3 (1967), featuring caricatures of the cast by the stellar comic artist Jack Davis. Timothy makes a great cartoon!

Waterhole #3

Here also is a great shot of Tim on the set of the film. We’re not sure who the other fellow is; we think he’s from the prop department.

Happy Halloween!

In what is turning out to be my annual Halloween pic, here once again is Timothy costumed as Frankenstein’s monster for the legendary early 1980s Sambo’s commercial that has apparently disappeared into the ether. It’s become my personal Holy Grail of Careyana. (Many thanks to Romeo Carey for including this in the work-in-progress documentary! That’s him on Tim’s left.)

Tim as Frankenstein's monster

Wishing you all a bang-up Halloween, just as Tim would have celebrated it! Stay safe and have fun!

Pic of the Day: “Revolt in the Big House” promotional still

To celebrate the long-awaited official commercial DVD release of Revolt in the Big House (1958), our pic today is another promotional still from that very film. Lou Gannon (Gene Evans) and Bugsy Kyle confer during said revolt.

Revolt in the Big House

The Warner Archive Collection is a great source for several of Timothy’s films on DVD, including Waterhole #3 (1967), Chain of Evidence (1957), The Outfit (1973), Rumble on the Docks (1956), Convicts 4 (1962), and now this one. Way to go, WAC!

Lauren Bacall 1924 – 2014

Sadly we have yet another passing to observe. Lauren Bacall died Tuesday at the age of 89. She and Timothy appeared in one film together, Denis SandersShock Treatment (1964). I’ve posted this pic before, but since it’s the only one I have that features both her and Tim, it’s the only one that will suffice for today.

Shock TreatmentIn this seldom-seen color transparency from the film (which is in black and white), Tim’s head can be seen just above Roddy MacDowall‘s. That’s Stuart Whitman on the other side of the table. I don’t believe Ms. Bacall actually appears in this scene in the film, which makes it doubly unusual. The epitome of a rare kind of sultry, self-confident style, class and grace, we will not see the likes of Lauren Bacall again any time soon. More’s the pity for us. We wish her peaceful rest at last with the love of her life, Humphrey Bogart.