Finger Man, in particular, is a good example of his early work. Carey plays the right hand goon to mastermind pimp/bootlegger Forrest Tucker. Tucker conveys a cunning and diabolical type; Carey, however, defines a true sociopath, unbridled by gangland criminal codes. He is seen roughing up a woman in one scene, moving her around the set as if she were a small piece of cheap furniture. Later in the film, Frank Lovejoy, the hero, turns on Carey with menacing rancor. Carey reveals himself as the coward we know that all bullies are. This sort of scene is familiar to American film; the difference is, Carey drops the bottom out and operates in the realm of pathos alien to American movies of the ‘50s. America likes a winning quality to its losers.
– Alex de Laszlo, “The Wonderful Horrible Life of Timothy Carey”, Uno Mas magazine, 1996