Closing the week is another look at Morgan Morgan, the loquacious diner poet of John Cassavetes‘ Minnie and Moskowitz (1971). He has just taken a bite out of Moskowitz’s (Seymour Cassel) hot dog.

This was perhaps the greatest instance of Timothy showing up in a film, owning it for five minutes, and never being seen again. But in the back of your mind, for the rest of the film, the vague thought is floating around: “I wonder what that Morgan guy is up to right now?”